Category: Exhibition
Principle Architect: Meng Yan

Project Director: Zhu Jialin
Designers: Lin Yilin, Rao Enchen, Huang Yihong, Chen Lansheng, Wang Yuan | E-6 Space

Project Location: Shanghai
Project  Period: 2009-2010
Floor Area: 600㎡

Shenzhen was invited to the World Exposition 2010 in Shanghai at the last minute. URBANUS, as the curator and exhibition designer for Shenzhen’s paviolion, finished this task in an extremely intensive schedule by collaborating with government authorities and artists. The Shenzhen Pavilion was designated as an installation showcase and theatrical stage. It aimed to exhibit contemporary art installations with an experimental theater, and to use interactive multimedia technology to seamlessly merge different exhibition spaces in an unconventional way.

The 390-square-meter pavilion was an enclosed cubical space with a rectangular footprint, 43 meters in length, and 9 meters in width with a 7-meter height ceiling. It was located inside UBPA (Urban Best Practice Area) B3-2 exhibition hall, next to the Seoul Pavilion and the Bologna Pavilion. The design was intended to dramatize the space with a theatrical art installation and to introduce a continuous filmatic experience  from the external appearance to the interior space.

Visitors are guided to walk along the designated route, which is organized following the ‘trilogy’ way. The design of the space was inspired by the German composer Richard Wagner’s concept of Gesamtkunstwerk (total work of art). The ‘trilogy’ of the architectural space is based on the rebuilding of the existing urban village in Shenzhen called “Dafen Village”. The journey, in a chronological order, starts with a Prologue implying the Genesis of Shenzhen with a Mona Lisa façade – later known as “Dafen Lisa” – which was constructed as a montage of 999 hand-painted oil paintings units. The journey carries on to the second episode called “Dafen Transformation”, with a multi-media installation and miniature landscape models showing urban sample pieces of the village.  Then the journey leads to the third episodes called “Shenzhen, Frontier for China’s dreams”. It consists of numerous documentary films, historical prints and achieves, and ends with an epilogue with opportunities for review, discussion and contemplation.

The pavilion itself has sublimed into a total work art linking among and emerging from thousands of independent artworks, enchanting a condensed labyrinth of an urban village, exploring the past 30 years of drastic development of Shenzhen, and at the same time, questioning the ambitions and the visions of this emerging miracle city.

01-上海世博-P01-3e sitemap

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2-《大芬丽莎》观念油画装置-01

4-《梦想盒》装置

4-《梦想盒》装置内部

5-《七彩浮云》雕塑

6-《深圳记忆》文献档案装置

8-《深圳时间》多媒体影像

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27-上海世博-P02-07

27-上海世博-P02-08a

27-上海世博-P02-09

Client: Shenzhen Government, Urban Planning, Land and Resources Commission of Shenzhen Municipality
Curatorial Collaborators: Zhou Hongmei, Mou Sen, Gao Guangjian, Yang Yong, THISMEDIA
Exhibits Collaborators: Gong Zhicheng, You Mi, Lei Lei, Zhang Dali, Yu Haibo, He Huangyou
Publication Collaborators: Jiangjun, Shi Jian | ToMeetYou Graphic Design
Construction Collaborators: Huasen Architectual and Engineering Design, Hongtao Decoration  Zhuhai King Glass Engineering, China Construction Steel Structure Group
Sub-venue Exhibition Collaborators: Teng Fei, OCT Art & Design Gallery
General Contractor: China Construction Steel Structure Group, Hongtao Decoration, Zhuhai King Glass Engineering
Photographer: Yang Chaoying, Meng Yan